The Odyssey: Parts XIII-XV | Southern Hospitality’s Got Nothing on The Greeks!
Greetings Kings and Peasants, Sailors and Swineherds!
Round five of the Odyssey, and WOO MY BOY IS BACK IN ITHICA!!!
Finally, after two decades away from his family, where he fought gods, monsters, and his own crew’s stupidity, he can finally relax and take a nap, being done with all the nonsense…right?
Well… I mean he does get to take a nap! But as for the nonsense, there is still one obstacle left to get rid of. And it’s surprisingly not Posiedon, who was last seen throwing a hissy fit at the Phaecians for escorting Odysseus home safely and had been given advice by Zeus to turn their ship into stone and sink it. (Dude what the hell?)
No, the problem remaining for Odysseus is the suitors that are mucking up his house. Which helpfully segways into the two main topics I’d like to talk about this week.
When Odysseus is dropped off in Ithica, Athena casts mist over the city to hide them and goes down and reveals herself to Odysseus, leading to a very fun interaction between the two. It is clear throughout the chapter that the goddess greatly respects the mortal whom she has been helping, but also calls him out on his bullshit and hyper-suspicious nature. And honestly, getting to see Odysseus sit down and strategize with the Goddess of Wisdom to help him retake his home, is just such a cool way to demonstrate his caliber. Anyway, they settle on Odysseus going disguised to stay with his loyal swineherd while Athena calls back Telemechus from Lacedaemon, telling him to get his ass home and go visit the swineherd for, *totally unimportant reasons.* Seems Legit.
The other thing I’d like to mention is the concept of hospitality. See in the world of Ancient Greece, showing hospitality to strangers is maybe the number one most important rule to follow, and breaking hospitality is one of the most dangerous taboos, greater than even crimes like family murder and cannibalism. Zeus, King of the Gods, wasn’t just the god of throwing lightning, and one-night stands but was also the protector and greatest patron of guests. It was believed that Zeus regularly pops down to Earth disguised as a mortal traveler or as a beggar, and if you treated him poorly, he would render divine punishment. This made most people eager to be as good as possible to strangers seeking a roof over their heads.
In fact, in the Odyssey, this is seen many, many times, with both Odysseus and Telemachus being received with feasting, aid, and treasure when they visit various kingdoms. Odysseus in particular was gifted a metric ton of gold and other various treasures from the Phaecians, a whole month, or even a year of feasting on the islands of Aelous and Circe respectively, as well as lodging from the swineherd in Ithica when he is disguised; while Telemachus was provided with lodging and food from Lestor and Menelaus for an extended period of time as well. Telemachus also displays this trait, offering passage to an exile in Chapter 14. The prominence of this idea of treating your guests well, and being willing to offer a helping hand to those in need runs deep throughout the Odyssey, as it did throughout Greek culture as a whole.
And now that we’re over halfway through The Odyssey, let’s talk briefly about some of the craft used, as well as the underlying themes of the story.
When looking at the Odyssey, a story that was created and maintained by centuries of oral tradition, before being codified by Homer in 800 B.C.E, and then (the copy I’m using) was later translated by Samuel Butler in 1900 C.E., one might think that the fact that the story changed hands AT LEAST twice, and constantly had slight tweaks and differences between the tellings, may make it difficult to talk about the actual literary craft used, there is one thing that remains constant throughout all of these tellings, and that’s the use of Epithets.
Epithets are titles used to refer to people or things and are often used in mythology to refer to specific beings, specific versions of the being, or even their specific domain. An example of this is Utgard Loki and Loki, son of Laufey, two different Loki’s in the mythology. Had they been referred to as just ‘Loki’, they would be easily confused, especially as they both appear in the same story, alongside another character named ‘Logi.’ But because of their Epithets denoting them as ‘Loki of the Outlands’ and ‘Loki, Son of Laufey, Blood Brother to Odin,’ they are easily distinguished, and also given significance.
In the Greek Pantheon, this is also the case. Instances of this are calling Hades, ‘the one who receives many guests,’ Poseidon as ‘Earthshaker’; and specifically in The Odyssey; the constant usage of “rosy-fingered Dawn, ‘Jove, the god of hospitality’ or ‘King Jove,’ and numerous other instances of this, ON TOP OF the fact that with a handful of exceptions like Apollo, all of the Gods are referred to by their Roman Epithets (Jove, Neptune, Minerva, etc.) The frequent usage of epithets is a style most commonly found in mythology writings, and as such, it makes perfect sense for it to be here.
As for the themes present in the Odyssey, I touched on it a couple blog posts ago, but would like to elaborate a bit further. To determine the theme of a story, the first, and most obvious place to look, is the characters. In my third blog post, I talked at length about how most Greek Heroes have a fatal flaw, a character trait that causes them great pain, and often leads to their death. In Odysseus’s case, hubris is his fatal flaw, and by extension, the big idea of The Odyssey is Pride.
Throughout his voyage, the one, constant cause of conflict for him, was his pride. It was because of his pride that led to the sacking of the city of Ismarus after departing from Troy, losing the favor of Athena. It was his pride that led him to taunt Polyphemus after having escaped from his clutches, causing the Cyclops to send Poseidon after him, seeking revenge. Because of his pride, he lost the lives of his crew and was stranded for a decade on Calypso’s island.
And when he finally does get home and has to face the suitors who were ruining his estate, he is only able to prevail by putting aside his pride, disguising himself as a beggar, staying at the swineherd’s house, and trusting Athena to help him.
All of this paints the underlying message, that it is necessary to restrain one’s pride, lest they be the one to be slain.
And that just about wraps it up for this week’s blog post! Let me just quick update the counter, one second…
…and alright, there we go! If you stuck around the whole time, put a fried egg emoji at the start of your comment, to show that you are an awesome person(you can copy/paste this one:đł)!
Cheers,
-MJ